Ryan Coogler has reportedly directed the pilot episode of the highly anticipated
The X-Files reboot using 65mm film, elevating the series with a cinematic quality rarely seen in television production. This move underscores the creative team's commitment to delivering a visually stunning series from the outset, even before an official series order has been secured.
Recent reports reveal that the two-hour pilot has already wrapped filming and was shot entirely on 65mm film — one of the most costly and technically demanding formats in modern cinema. This choice demonstrates a bold vision to produce a high-caliber, cinematic experience that sets the tone for the reboot.
### A Unique Approach to TV Cinematography
The cinematography for the reboot is handled by Autumn Durald Arkapaw, who previously collaborated with Coogler on
Sinners. Shooting on 65mm film is exceedingly rare in television, primarily due to its expensive production costs and complex technical requirements. Only a handful of TV projects have experimented with this format; one notable example is Season 3 of
Euphoria, which combined 35mm and 65mm film to achieve a distinctive look. However, Coogler’s
The X-Files reportedly utilizes the larger 65mm format throughout the entire pilot, emphasizing its cinematic ambition.
### Potential Theatrical Release Plans
Sources indicate that Coogler is considering releasing the two-hour pilot in theaters either before or alongside its streaming debut. Discussions are reportedly underway with The Walt Disney Company about a limited theatrical run as well as a broader cinema release. While no final decision has been made and the full series has not yet received an official green light, the completion of the pilot suggests a desire to position the reboot as a major cinematic event.
This approach aims to attract not only longtime fans of
The X-Files but also general audiences and moviegoers, elevating the series beyond traditional television boundaries.
### What We Know About the New
The X-Files
The reboot intends to preserve the core premise of the original series: two FBI agents with contrasting personalities investigating mysterious and unexplained phenomena. The creators have promised a fresh cast and a contemporary take on the beloved franchise. It remains uncertain whether the reboot will maintain continuity with the original series, but one thing is clear — Ryan Coogler is committed to raising the visual standards of
The X-Files. The decision to shoot the pilot entirely on 65mm film signals a focus on high-quality visuals, cinematic scope, and ambitious storytelling, marking a significant departure from traditional TV production techniques.
In summary, the
The X-Files reboot is shaping up to be a visually groundbreaking project, with a cinematic approach that could redefine how science fiction series are produced and presented on television.
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